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Indians and Fur Traders Meeting
This is a watercolour painting of Indians and Fur Traders meeting, by Peter Grant in the early nineteenth century. It is clearly visible that this meeting is somewhere with flowing water access in British Columbia as the landscape is in the forefront…
Tags: 19th century, Art, British Columbia, European trade, Fur, Fur Trade, Industry, Trade, Watercolour
Israel Sgat'iin, Nisga'a chief from the Nass River
This is a photograph of Israel Sgat’iin, a Nisga’a Chief from the Nass River, taken in the 1890s. The Chief is wearing what looks like a fur robe, implying that this fur pelt must come from an animal big enough to cover a grown human being. A range…
Tags: 19th century, Art, British Columbia, Chief Nisga’a, Fur, Nass River, Nisga’a, Photograph, Portrait
Heiltsuk Chief’s settee
This source is a carved settee made by Richard Carpenter, a chief and carver of the Heiltsuk tribe. This settee was intricately carved out of wood with clear patterns and designs of birds and other animals on it. As a settee, it would have been used…
Rossland’s Gold Rush
This source is a watercolour image set in Rossland, a mining town, in 1891. It shows a miner holding a pick axe on his shoulder, showing to the viewer of the image what can be assumed as a golden nugget. In the background is a row of wooden…
Kwakiutl Songs
The earliest surviving sound recordings from 19th century British Columbia feature a funeral song, healing incantations and a gambling song all performed by Tom Haimasela. The round phonograph cylinders were used as methods to record sound and were…
Model Totem pole
The source is a model totem pole created in the period 1900-1947 by Henry Young. The totem pole is black and included engraving of animals such as an eagle. The totem pole is a small size meant to replicate the large original totem poles of different…
Honolulu display of traditional native and Western building styles
The image clearly shows the impact the missionaries had on Hawaii. From this piece of artwork you can see the traditional Hawaiian building styles followed by western style structures in the background. This shows the occupation of the Hawaiian…
Figure of Ku-ka’ili- moku
The image shows a wooden figure likely to represent Ku-ka’ili- moku, the God of war. Having such a variety of these figures and having such grand figures would show the significance behind this to the people of Hawaii. This is extremely significant…
The Spirit of Lili’uokalani
This is a sculpture with a bronze body and stone base. The sculpture is roughly 8 feet tall with a 14 inch base underneath, and is a full-length portrait of the last reigning queen of Hawaii. Queen Lili’uokalani wears a sleeveless gown and small…
Hawaiian Territorial Seal Sculpture
This is a white marble sculpture, 3ft by 3ft by 10 inch in size. It is located at the Queen Lili’uokalani Building in Honolulu, Hawaii having been authorised in August 1949 and installed on 20/1/1950. It shows two figures guarding a crest that is…
Tags: 20th century, American flag, American influence, Annexation, Art, Flag, Hawai'i, Hawaii, Honolulu, King of Hawaii, Material Culture, Material Object, Militarisation, Military, Monarchy, Motto, Motto of Hawai'i, Queen Lili’uokalani, Sculpture, Seal of Hawaii, Second World War, Stone, US Military, World War Two, WW2